May 29, 2007

Saffron and Stone Down South in Kollur


I’m not sure if Kadavil Appu Kuttan is still alive as I write this. I’m not sure either if I can find out if he is alive, and I doubt if anyone can unless Appu Kuttan has returned home to Kerala to his sister Janaki’s house in Trichur, ‘near Guruvayoor temple’, or maybe to his younger brother Ramkrishna’s place not far from there. Appu Kuttan has no family of his own. He never married. However there’s just a chance that I could get some news of him if I were to return to the Mookambika temple in Kollur and enquire with the other sadhus there who’ve made the place their home and live out their days in the temple complex.

The younger among them go on pilgrimages like Appu Kuttan once did long before he turned 86 in the year I met him. But I’m not sure if I’ll be returning to Kollur anytime soon unless I make an impromptu decision to pack my bags and take off to Murudeshwar like I did that year when I went backpacking down south along India’s West Coast.


But I must tell you his story even if it is over three years old, not that there is much to tell because I was in a hurry to get back to the hotel in Murudeshwar that day since the last bus for Byndoor left Mookambika temple at quarter past seven in the evening. To get to Murudeshwar I had to change the bus at Byndoor for Bhatkal before changing again at Bhatkal for Murudeshwar. So Appu Kuttan and I spoke for barely an hour before I sprinted to the Mookambika bus-stand just in time for the 4.45 PM bus to Byndoor.

Kadavil Appu Kuttan told me nothing earth shaking in that one hour. Actually I had serious difficulty understanding what he was saying for, his native tongue, Malayalam, weighed heavily on his Hindi. Moreover, he was old, all of 86 years, and that added to the problem. But somehow, Appu Kuttan and I managed to talk to each other – an old man and a young backpacker trying to connect in a place that was neither’s home.


Earlier in the day I left for Bhatkal after lunch at the newly opened Kamat's eatery down the street from the Murudeshwar temple the village takes its name from, in the backdrop of the gigantic statue of Lord Shiva rising majestically over a narrow stretch of beach where fishermen set off for deep waters early each morning, and mending fishing nets at other times. Narayan Naik waits tables at the Kamat’s eatery and on learning that I was visiting Murudeshwar he said, “Tourists prefer Surmai and Pomfret fished off the coast around here. They don’t have a taste for Noglaa and Bangda.” Narayan of the ready smile was built thin and came from a nearby village. I finished the vegetarian thali, paid the bill and left the hotel. Outside, fisherwomen sat by the side of a rutted path that led to the temple behind me, selling fish from cane baskets lined with sliced rubber tubes sourced from used truck tyres. Glassy-eyed fish lay still in small pools of water in rubber tubing drawing interested customers.


After changing to a Kundapur bound bus at Bhatkal, passing Gulmohar, Copper pod, Cashew, and Casuarina trees along the route I got off at Byndoor and sat out twenty minutes at a wayside inn before boarding a privately owned bus for Kollur. A short way off Byndoor the bus veered left, off the NH17 that ran on 69 kms. to Udupi, Mangalore lay 60 kms. off Udupi. “Government buses do not ply to Kollur, you’ll get private buses though,” the Inn keeper had told me while we were discussing the Raghavendra Swami Muth, a local landmark. The stretch to Kollur from Byndoor ran 27 kms. through lush green fields, isolated homesteads, and past little or no traffic on the narrow winding road through dense forests in the Mookambika Wildlife Sanctuary, home to the dreaded King Cobra.

Narrow strips of wood ran diagonally across from opposite sides of windows of houses scattered along the route, forming diamond shaped openings encasing deep pools of black of the rooms. I could only imagine what must lie behind those openings, and of how the light might play out once the Sun came in through the windows. A brooding sky hug overhead, overcast and threatening heavy rain. Mist covered the mountains in the distance as a light drizzle fell outside. Vyavashaya Seva Bank disappeared round the bend as we drove through Yedathare in the hills. In a clearing by an Areca Nut plantation a group of village boys were playing Kabaddi. We passed a school, scattered houses, and a few shops before the jungle swallowed us again.

I had a sadhu for company in the bus. He sat to my left and remained silent the entire journey, never once turning to look at me after I slid into the seat beside him. Leaning my head against the backrest of the seat in front I looked past the sadhu through the window at the vegetation flashing past as the bus rumbled on to Kollur. Somewhere deep in the jungle Agnitirtha and Sauparnika flowed, regenerating life far beyond their banks, and steeped in history they carried downstream echoes from centuries ago.

Kollur lies on the banks of the Sauparnika at the foot of the Kodachadri hills where Adi Sankara, the pioneering Hindu philosopher, is believed to have meditated on his travels across India. It was known as Maharanyapura in the Skanda Purana before changing to Kolapura after Kola rishi, the sage advised by Lord Shiva to worship Shakti, the lingam that is believed to have appeared on its own (swayambhu) in Maharanyapura, promising him that in due course Mahalakshmi would manifest from Shakti. After Vagdevi, the Goddess of Speech, struck the demon Kaumasura dumb or mooka, eventually killing him to end the reign of terror he had unleashed on the ascetics of Kolapura, including Kola rishi, the goddess came to reside in the swayambhu lingam in the temple and came to be known as Mookambika. In due course, Kolapura changed to Kollur.


The bus pulled up into the Mookambika bus-stand shortly after and I got off and made for the temple. It was Onam and large numbers of devotees from Kerala and elsewhere had traveled to the temple to offer prayers. Clad in pale white saris with gold borders, flowers adorning their hair, women waited by the side of the road that ran by the temple. On nearing the Mookambika temple I saw the stone structure and the golden gopura through the entrance, rising against the backdrop of Kodachadri hills in the distance. As I walked past a group of workers laying the courtyard floor anew and entered the main temple, a priest hissed at me, “Take off your shirt. Take it off.” I took off my shirt and joined the queue of bare-chested male devotees inching in a single file between ancient stone pillars.


Later I walked across the courtyard to the other temple entrance that led out the perimeter wall enclosing the courtyard. On my way out the high wooden door I passed two stepped platforms flanking the passage to the entrance I had just exited. Elderly sadhus in saffron sat conversing on straw mats spread out on the red oxide coated platform. Some of the sadhus were deep in sleep, their worldly possessions stuffed in bags that doubled up as pillows. It was while he was spreading the cardboard mattress on the platform, possibly preparing for a nap, that I first saw Appu Kuttan, a solitary figure in deep pink lungi that came up to his ankles as he bent over the platform to adjust the cardboard mattress.

Introductions in place, Appu Kuttan allowed himself a gentle smile on seeing me taken aback after he had just told me that he had served in the British India army. On demobilizing in 1948, and without a job he began drifting, not becoming a sadhu until he had turned sixty. “I didn’t get any job after my discharge from the army so I became a sadhu,” he said matter-of-factly as I crossed my legs and sat across from him, warming to the conversation. He lit up a beedi and sat cross-legged on the edge of the nylon mat, the beedi stayed firm between his index and middle finger. Recalling the good times when he earned a ‘good salary’ while working in Aurangabad where the “Quartermaster also worked”, Appu Kuttan soldiered for the British Indian Army for eight long years during World War Two, serving in Singapore for a year where the British Army retreated under the Japanese onslaught, and six months in Rangoon where the Allied Army led by the British fought the Japanese to a standstill in the jungles of Burma before routing them in the same jungles, then in the mountains and across the Burmese plains, possibly handing Japan their biggest land defeat until then, and largely orchestrated by Indian soldiers in their thousands, fighting alongside the Burmese, the Karens, and the Kachins.

“I did not swing guns on the battlefield,” Appu Kuttan recalled. “I served in the 37 Field Ambulance Unit on the frontlines. We took our lunch in the trenches, sheltering from Japanese planes on bombing runs.” At this juncture he raises his hands, imitating the Japanese planes swooping down to drop their loads behind British lines. Allied troops were battling to keep China’s overland supply route through Burma open while Japan sought to cut it off. The Burma campaign began disastrously for the British in the December of 1941, with thousands of Indian soldiers in the British India army losing their lives to the Japanese and disease, malaria being rife in the swamps. By mid 1945 the tide had turned, and the Japanese were in full retreat.

“We took many Japanese prisoners in Rangoon,” Appu Kuttan said, a smile breaking on his lips at the memory as he exhaled after drawing deep on his beedi. “Japanese Officers were made to sweep. They would ask us for Goodbye cigarettes,” he said. “Eighteen of us in the Army company did not smoke, so we gave the prisoners our stock of Goodbye cigarettes.”

On joining the army at the “age of 18”, his first posting was Pune, then Aurangabad, before he was sent to Shillong for a year where he was entrusted with the logistics of distributing ration to Army Companies. “Gaadi leke ration ke liye chalo,” he recollects Karunakaran, a driver from Thiruanantpuram, telling him one day at the army camp. From Shillong he marched with the army to Rangoon serving with the 37 Field Ambulance Unit before leaving for Singapore for a year. I turned my head for a brief moment in the direction of animated voices behind me before quickly turning to Appu Kuttan.

“Capt. Lakshmi Sehgal of the INA was arrested in Singapore and held in our prison camp for a day,” he recollected, his eyes lighting up at the memory which I took to be less for the arrest as for her presence in their midst. As he spoke of her I couldn't help noticing his voice rise up a notch in what was otherwise a phlegmatic undertone that sometimes shook, struggled and faded. His age showed up in his voice, again.

Long before Lakshmi Sehgal, born Lakshmi Swaminathan in a Tamil brahmin family, joined the Indian National Army, she was putting her medical education to good use among the poor of Singapore after leaving India for Singapore in 1940, and after the British army fell to the Japanese in the ill fated Singapore campaign in World War II, she served the Prisoners of War, a significant number of whom were Indians. It was inevitable that she came in contact with the Indian National Army headed by Subhash Chandra Bose, born in an affluent Bengali brahmin family, then actively recruiting Indian POWs from the British Army to staff the Indian Liberation Army. The Japanese were only too happy to see this happen. And when Subhash Chandra Bose arrived in Singapore in July, 1943, and raised the Rani of Jhansi Regiment, a women’s regiment, the mantle of Colonel fell on Lakshmi Sehgal, fighting the British on the side of the Japanese.

Appu Kuttan turns back the years. “Lieutenant Colonel Satchidananda Swami commanded us in Singapore and Major David reported to him at the time. Now Swami Satchidananda lives at Anandashram in Kanhangad in the Kasargod district of Kerala.” Known as Anantasivan in his pre-monastic years, Swami Satchidananda came to the Ashram on being urged by one of his former colleagues (possibly Sam Rose) from the Army in 1948, the year Appu Kuttan returned from Singapore and was demobilized from the British India Army soon after India’s independence.

Pauses punctuate his recollections. Never once in the entire duration did he take his eyes off me. When I ask him if he visits his native state Kerala, he replies, “Aata hai, Jaata hai. Time doesn’t pass there. But here (at the temple), time passes. We (the sadhus) talk, and time passes. We sleep by ten in the night.”

After visiting temples all over India, and barely surviving malaria after the Badrinath yatra, and living at the Krishna temple in Ujjain for six years, and six months in Goa 'in between' where he claimed “some Malabari people know me well there”, Appu Kuttan eventually made Mookambika temple his home the last nineteen of the twenty five years as a sadhu. He sleeps in the temple shelter after he left the pujari’s (a priest) house on being asked to pay a monthly rent of 450 rupees, money he didn’t have. “I get meals twice a day at the temple here, and a paratha (a type of bread) from a shop nearby, and then I sleep here,” he said.

A short distance away to our right, under a makeshift tent that kept out the September sun, twenty-odd artisans chiseled away in a random yet rhythmic melody of chisel striking stone, fashioning largish stone slabs that four youth loaded into their handcart before carrying it through the door and into the courtyard where workers were laying a part of the floor anew. Then they came back for more, laughing and joking as they pushed their handcart to the rhythmic clicks of metal against stone in the time that Appu Kuttan and I sat conversing while the clock ticked to the beat of those soothing metallic clicks at a place that history had seemingly rented out for posterity.

As I prepared to leave, I motioned to the camera indicating that I wanted to photograph him. I barely noticed him smile under the white beard. While I readied the camera he told me that he was filmed along with another sadhu in Trichur when he was visiting his sister sometime ago, “TV ne pakda,” he said. I took a few pictures, cautious not to run through the three film rolls I had carried along for the trip. Then I shook his hand and swung my legs over the platform, onto the floor. After sitting there facing Appu Kuttan and the wall behind him, it took my eyes a few seconds to adjust to the glare of the Sun beyond the shade of the platform.


With a short wave of his hand he saw me off as I got down from the platform. By now we had attracted the attention of other sadhus sitting on the opposite platform, his ‘other family’ far away from a home he never really had, and with no one to wait for him in the night and wonder where he was if he got late, Kadavil Appu Kuttan had made the sky his roof and the earth his home. Freedom would come from fires entrusting him to the winds, scattering him where he had once walked, and in the rivers he once prayed to, before carrying him to the ocean, back to where some people say life began.

58 comments:

kenju said...

A good post! I always enjoy reading your stories.

jessica said...

your writing is stunning. I walk behind you in the streets when you tell these stories - the details are so vivid...

Uma Gowrishankar said...

A beautiful account and what a way to conclude the account!

backpakker said...

Hi,

Very interesting story...I've always wanted to visit the entire coastal belt ...Gokarna ,karwar, Murudeshwar ...

backpakker said...

Been to the coastal belt ...always wanted to drove down the entire stretch up to Gokarna- karwar ...

Taylor said...

very powerful and beautifully structured. You really capture the mood of the encounter.

bluemountainmama said...

it's amazing the stories we hear if we take the time to listen....and you do listen, anil. a wonderful encounter and your last paragraph is beautiful......

Anil P said...

Kenju: Thanks. It's a pleasure.

Jessica: Thank you, do visit again :)

Uma Gowrishankar: Thanks. I've been wanting to see Appu Kuttan's story told for quite some time now, even if there's not a whole lot to what I learned that afternoon.

Bakpakker: The stretch you mention is unique in as much as it differs from the rest of the West Coast by language, traditions . . . and more significantly, the culture. If you can, take the public transport and you'll get to travel with the people from around there, and get to hear their language for extended periods.

Taylor: Thank you, it's a pleasure. Fragments out there do make the whole, and streets do echo the footsteps from long ago. It usually does where time stills the essence of the place. Memories of Kollur stayed vivid.

Anil P said...

Bluemountainmama: Thank you. Partings take a life of their own when one realises somewhere that this is it, and that one might not return or if one does then maybe not to the same experience, like it was when I left Appu Kuttan's Kollur.

The familiar may not result in an poignant encounter, but the unfamiliar almost always does.

Mridula said...

Anil, you write beautifully. Your comments are more beautiful than my posts! Have you ever considered writing a book? Or you have already written one?

Shantanu said...

My first visit here, and I must complement you on your blog! This one was a great post. Taking the time to speak to strangers can sometimes be so enlightening.

rama said...

Hullo. Thanks for your visit to "Cuckoo's Call". And I am delighted to thus find your blog. Wonderful!

Smita said...

As toursits we are in such hurry to cover areas of interest. But I think intercating with local people give a more concentrated flavour of the place. Like Appu Kuttan. Very vivid writing!

b v n said...

Nicely done ! these stories are the delight of travel... and the way you have written it is really cool.. glad i found yr blog :)

mark said...

excellent first line, too

dharmabum said...

beautiful blog u have. i enjoy travelling too, but don't ge to do much of it for the want of a lil more money ;) maybe someday....*sigh*

thanks for visiting - i'm glad i found ur blog. this post is one of the best things i've read in recent times. cheers to appu kuttan :)

Bombay Addict said...

Brilliant as always.

Thanks for reminding me that I've not written on Bombay for ages. I've filled the gap :)

Anil P said...

Mridula: Thanks. Moreover there's so much poetry in the Indian countryside. Books? Not published a travel book yet.

Shantanu: Thank you. True, as always people make the places what they are, unless you visit places like Halebid, Belur, Pattadkal, Hampi etc. where the monuments speak for the place and the time bygones.

Rama: Thank you. Do visit again.

Smita: Thank you. It's a pleasure.

BVN: Thank you. I agree, stories abound on travels so long as we do not merely aim at destinations but focus on the journey itself.

Mark: Thank you. The first line is still an apprehension. Not knowing adds its own load to story telling.

Dharmabum: Indian countryside makes for affordable travel. Buses are economical and so is the stay. My trip to Kollur spanned four days and cost me about Rs. 1500, everything included.

Thanks. It's been a pleasure. I doubt if Appu Kuttan has any way of knowing that folks around the world are reading his story.

Bombay Addict: Way to go. I read it up a short while ago. Bombay needs its citizens to chronicle it, folks who've been there long enough to feel its pulse.

Thanks for the appreciation.

April said...

Oh, thank you for this long story, illustrated with so many photos. The colors are so wonderful.

Janice Thomson said...

To a westerner who has never traveled to India your post was rich with detail and information and most enjoyed. You write very clearly and with feeling. Thank you.

Anil P said...

April: Thanks. The colours are what distingiush features out there.

Janice Thomson: Thank you. At one level it is also an attempt to document the beating pulse so that memories will endure the passage of time. And that Appu Kuttan will live on in his story long after the winds have scattered him to the four corners like it will one day each one of us.

Coll said...

Your post reminds me of a conversation I recently shared with an elderly man of 89. We too were strangers prior to the dialogue. Like you.. I may never meet with him again but will always feel a connection.

Cuckoo said...

Your posts are always wonderful... the description as well as pictures.

Wonderful post once again.

Jo said...

Very nice writeup Anil. Enjoyed it a lot and it gave it a movie watching effect. :-)

BTW, the pics you post here, are they taken in a manual camera?

inspired said...

Very very interesting thank you..
And thank you also for your comments on the Banana's post..

Anil P said...

Colleen: Thanks. Stories can and often do span geographies.

Cuckoo: Thank you.

Jo: Travels do turn into movies if they're vivid :) Yes, the ones you see as of now were taken with my Nikon FM10 manual focus camera outfitted with a Sigma 28-110 mm lens.

Inspired: Thanks. It's a pleasure.

White Forest said...

i had been to Brahmhi Durga few months back ...i wanted to go to Kollur but we din have enough time :(

neways..will try to visit it next time!

Ash said...

Loved this post!

Been to Mookambika Temple a lot of times. Its a magical place.

Kim said...

Your story is simply stunning.
Thank you for your kind words on my blog.

Sam said...

Awww...this is such a sweet narration....but I wonder how do you remember the small small details..each and every word...so hard!!Hope Appu Kuttan is doing good!!!

Dawn....सेहर said...

Wow nice story that you narrated ...down the road a relation is created with Appu Kuttan...:)
Cheers

andrea said...

I didn't stop long enough to read the whole post but your photos are amazing!

Ana Banana said...

Hello Anil,

Your words...truly a gift. Thank you.

Your blog...your stories, travels and photographs...beautiful.

Love and peace to you.

Ana

Tanya said...

I love your indepth stories and the images.. it is great to share the experience.. thank you :)

Anil P said...

White Forest: There's always the next time :)

Ash: Thank you. That whole stretch, along with the Konkan railway line that connects them is very picturesque. The temple invokes calm. Getting to Mookambika is quite an enjoyable journey.

Kim: Thank you.

Sam: Thank you. I sure do hope Appu Kuttan is doing fine. As for details, I keep detailed notes, sometimes skeletal sketches that string together important aspects of my journeys. And then there are photographs that document visual details.

Dawn: Thank you. Usually Indian journeys get one to relate to another as if they are own own.

Andrea: Thank you.

Ana: Thank you :)

Tanya: Thanks. It's a pleasure.

Maryam in Marrakesh said...

Oh that first photo......(gasp, clutches heart). Such beauty:-)

katiedid said...

Hello Anil-
Thank you for visiting my litle blog. I am so glad you did so I could find you. The everyday details of life sometimes get in the way of really living. I think you have found a way to really live. Your beautiful pictures tell a thousand words. I simply am amazed and hope to read many more of your stories.

Velu Nair said...

Thats an awesome narration, Anil!
Perhaps u have been told this a hundred times, but U have a way with words...
:)

monsoonbread said...

thank you :) glad you found a lil' something there. as have I in this cosy space :)

Anil P said...

Maryam: Sparse as the 'hermit'. Thank you.

Katie: Thank you. It is little things that help one make sense of life.

Velu Nair: Thank you :)

Monsoonbread: Thanks.

chiefbiscuit said...

It's been a long time since I visited. Thanks for your comment on my Where The Trees Lean Sideways post. As always, I find your writing superb - gentle, informative, compassionate and interesting. Just lovely. If it is okay, I will link you to my blog as I think many more bloggers will want to read your wonderful accounts, so well written.

kalyan said...

Some nice shots & it was nice reading your documentary!

Simon Higgins said...

Fascinating writing. The pictures make it even better.

Fantastic!

kamla bhatt said...

Thanks for sharing that story. The photos are simply outstanding!

kamla

Anil P said...

Chiefbiscuit: Thank you. Sure, you can. I do hope my India stories will enthuse more readers. In our remembering the country will live on in all its vibrancy and colours.

Kalyan: Thanks. That's the first time anybody called it a documentary, and come to think of it, it might well be one.

Simon Higgins: Thank you :)

Kamla Bhatt: Thanks.

Seamus said...

Lyrical and beautiful writing. It is such a treat to travel with you. :)

Anil P said...

Seamus: Thank you. It's always a treat to carry a reader along on these journeys.

messys musings said...

never been to these parts of india... i know im missing so much.. mayb someday...

almost missed ur comment on my blog... matheran is beautiful in the rains... it rains heavily there... earlier the hill station closed down for the monsoons... but now it remains open for tourist who would like to go there n enjoy the rains... u could check out my post on matheran for more info... this is the link..

http://mesmerising-eyes.blogspot.com/2007/03/matheran-revisited.html

since i feel u love to travel i hope u dont miss this place... its very beautiful...

Anumeha Sah said...

Hey Anil....great post!

Bit Hawk said...

Sadhu's legs and the beedi was my favorite...

Anil P said...

Messys musings: Sans the crod sure, Matheran is beautiful.

Anumeha Sah: Thank you.

Bit Hawk: Thanks :)

methodactor said...

What an evocative writing style. I stumbled upon this through another blog but I am soooo riveted by your writing. Sensational. Right on the money!

Anil P said...

Methodactor: Thank you. Do visit again :)

Anonymous said...

Super posts...a whole childhood comes alive for me.. nay, maybe a whole lifetime..good luck with what you do..

Deepa

Anonymous said...

Beautiful post...I am visiting Mookambika next month...i willl be looking for your Appu Kuttan.

Anil P said...

Deepa: Thank you.

Anon: Thanks. Nice to know that. If you come across him at Mookambika, do let me know. And yes, if you can get a picture of him to share with me, that would be nice too :)

All the best with your trip.

Girish said...

Excellent reading, i was searching for driving directions from Mumbai to the Mookambiga temple when i stumbled across your blog. You have a natural way with words - could be from your reading or writing. Keep doing it!

Am going to the temple on Oct 24th, 2008 and will look around for Kadavil Appu Kuttan and if he is there I will convey your regards.

Take care and keep the words flowing!

Anil P said...

Girish: Thank you. It's a pleasure to know you enjoyed this post.

It would be wonderful if you were to meet him and pass on my regards to him. I'll await any news you might have of him on your return.