Stepping out of a Mumbai restaurant one afternoon we hit the road, dodging vehicles before stepping onto the footpath where clear walking stretches beckoned, and getting off where they broke off to let an inside lane connect to another and so on.
I like walking on sidewalks lined by trees, a rare opportunity in Mumbai, often watching leaf patterns that light sneaking through sparse canopies makes on the uneven floor and the road. In watching leaf patterns ‘sweep’ the floor and the road in a lightly stepping breeze my spirit often matches its intent if not its rhythm. And it is not the only reason I avert my eyes to the footpath, sometimes I do it to dodge a homeless man asleep on the sidewalk like the one I passed the other day, muttering ‘Kya Zindagi !’ (What a Life!) under my breath even as I cast a backward glance at him without pausing on my way.
Another place, another time his image might have lingered on in my mind. The three of us walked on, I trailed behind. Approaching a bend in the path an advertisement fixed to a branch of a tree by the sidewalk caught my eye. A few steps and the letters in Hindi stood out clear ‘Aha Zindagi’ (Aha Life), loosely translated ‘Aha Zindagi’ is what I might say to a bloke who stays only ten minutes from where he works, and gets to step out to lunch at home, and whose only experience of Bombay rush-hour trains is from the Amol Palekar starrer Bataon Bataon Mein that he saw with his parents as a kid after promising them he would stay quiet the entire duration of the film – in short ‘Wow, what a life’.
I might have walked on after reading the advertisement if not for a movement in the corner of my eye. Turning my face away from the ‘Aha Zindagi’ in the tree I notice a cat reclining on the ledge of the compound wall to my left, licking itself lazily as if to whet its appetite for the meal of rice and dal that awaited His Majesty on the ledge behind its hind-quarters.
Watching His Majesty stretch out in between all the pampering he was administering himself I flip the camera open and mutter under my breath, ‘Truly ‘Aha Zindagi’”.
To read the board in the tree, click the image to open it enlarged.
I like walking on sidewalks lined by trees, a rare opportunity in Mumbai, often watching leaf patterns that light sneaking through sparse canopies makes on the uneven floor and the road. In watching leaf patterns ‘sweep’ the floor and the road in a lightly stepping breeze my spirit often matches its intent if not its rhythm. And it is not the only reason I avert my eyes to the footpath, sometimes I do it to dodge a homeless man asleep on the sidewalk like the one I passed the other day, muttering ‘Kya Zindagi !’ (What a Life!) under my breath even as I cast a backward glance at him without pausing on my way.
Another place, another time his image might have lingered on in my mind. The three of us walked on, I trailed behind. Approaching a bend in the path an advertisement fixed to a branch of a tree by the sidewalk caught my eye. A few steps and the letters in Hindi stood out clear ‘Aha Zindagi’ (Aha Life), loosely translated ‘Aha Zindagi’ is what I might say to a bloke who stays only ten minutes from where he works, and gets to step out to lunch at home, and whose only experience of Bombay rush-hour trains is from the Amol Palekar starrer Bataon Bataon Mein that he saw with his parents as a kid after promising them he would stay quiet the entire duration of the film – in short ‘Wow, what a life’.
I might have walked on after reading the advertisement if not for a movement in the corner of my eye. Turning my face away from the ‘Aha Zindagi’ in the tree I notice a cat reclining on the ledge of the compound wall to my left, licking itself lazily as if to whet its appetite for the meal of rice and dal that awaited His Majesty on the ledge behind its hind-quarters.
Watching His Majesty stretch out in between all the pampering he was administering himself I flip the camera open and mutter under my breath, ‘Truly ‘Aha Zindagi’”.
To read the board in the tree, click the image to open it enlarged.